My doubts about the world and self existence are presented in the "Invisible" in the form of experimental film. The dramatic lighting and unconventional editing method are expressed in the film. Many voices' questions themselves (e. g. Why do I exist? Who are we?) are reflected in the background music, and non-daily operation behaviors are shown in the film. This is my reflection about self-daily behaviors, are these behaviors meaningful? Or is it just the conformity? This film is intended to make the audiences reflect on their own self-significance instead of rigidly living.

The work "Dollhouse" fabricated a series of murders in England in the 1950s. Then I was mainly in charge of the production of sound, the film was based on the background of the time, the incidental music developed through the film fluctuated sharply by following the plot, bringing the audiences a sense of tension, compactness and suspense. At the start of the film, the announcement in radio clarified the relationship between the girl and the hero, and the knock on the door finally left audiences with infinite reverie.

The work “ A Pretty Penny” is based on a story in the 1950s in the British context. Describes a drama with a family background. It is about a family quarrel caused by a father's anger over his daughter as a prostitute. As a 2ed AC, I participated in the design of the lens and the arrangement of the lighting to express the background of the work and the mood of the characters.